Tag: science fiction

Science fiction and science: believability in storytelling

So the other day I was at aerials – that’s aerial silks, where I go to work out my stress in a way that is simultaneously beautiful and brutal – and the subject of science fiction came up. Not in the way you might think, either. Everyone in the class technically knows that I like spec fic a lot, but they must have all forgotten because we started talking about bad science in science fiction.

Now, I have a decent science background as compared to the modern American public, or at least I like to think I do. So I understand how it can be frustrating to be reading or watching a story and suddenly get thrown out of it by something not being accurate to science, especially in a genre that is supposedly playing with possible futures like science fiction. I mean, my partner is a nurse and so was my mom, and yet somehow I manage to watch people deal with near fatal trauma and get up and keep walking on television all the time. But my position on science fiction – and the broader action, fantasy, and other genres that also sometimes fall into this trap – is more nuanced. I can’t throw the baby out with the bathwater, as it were, because I really like the baby. 

(I apologize for that metaphor, but I’m not taking it back.)

Some of the best science fiction is believable not because the science is solid, but because we want to believe it. Because it posits something about humankind and what we can be – what makes us both hopeful and despairing about ourselves. This is the case for all types of fiction, but especially for genre fiction. 

Take The Light Brigade, which I reviewed a week ago on this site. One of the key ideas in this book is that it is technologically possible to turn a human being into light and then condense them back into matter. Let’s sit with that a minute. You are converting matter to energy and then back to matter and somehow managing to arrange all of the atoms in question into their respective parts and have a working human at the end of it. There is nothing in our science as it stands today that says it is possible, and a lot of information that argues the opposite. But this technological innovation is not the point of the story. It’s a backdrop, a lens through which we can see something new. This is a story about following versus leading and the institutional nature of evil. It’s about making change – about literally being the light, but also about metaphorically being the light. 

The important aspect of science fiction is always internal consistency. But there are also questions about what constitutes science. Sure, turning matter into light is definitely something you could explore through physics. But physics is not the only science – biology and neurology come to mind. There are also “hard” and “soft” sciences worth considering. Psychology, economics, and anthropology come to mind as great disciplines that feed a lot into certain science fiction novels.

Consider, as an example, the movie Arrival, which is in turn based off of a novella called Story of Your Life. The movie is based off of a linguistic theory, the Sapir-Whorf Hypothesis. This is a hotly debated theory, as unpacked in a Smithsonian article linked here, and the film and story largely seem to take this concept beyond one that is plausible in the field. Yet the Smithsonian article contains this beautiful final paragraph:

While the specifics of the Sapir-Whorf theory are still viciously argued today, Goddard says that the film offers a thought-provoking example of how integral language is to our lives—and yet how little we know about how it works, even today. “It’s not really about aliens,” as Goddard puts it. “It’s about us.”

It’s possible that all science fiction merely flirts with the idea of science. All science fiction writers use new discoveries and technologies as a mirror to explore the human condition. It’s not about the innovation. It’s about the people who made it.

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Heroes and Dreamsnake

We’ve lost a lot of people in the past few years.

Perhaps it just feels that way because there are so many other bad things, and so the losses hit harder. Perhaps it is just part of growing up. I’ve just recently entered my third decade. It’s probably about that time. But you’re never ready to let go of your heroes.

Carrie Fisher was a hard one for me. So was Mary Oliver. This week, we lost Vonda McIntyre.

If you’ve been reading science fiction for a while, you’ve probably heard of Vonda McIntyre. Her book, Dreamsnake, is one of those canonical works that become their own entity, irrespective of author, almost separate from the author. Though no work could or should be separated from the one who made it, Dreamsnake has its own weight within the world of science fiction.

I first read this book in middle school, where I found it in the school library. I’m not sure who made the decision to stock that book in the middle school library of a small town in Southwest Virginia. It was shelved alongside Redwall and Jane Yolen, and I picked it up all unsuspecting. I have not read it since. I remember it so clearly, nonetheless. The desert landscape where the book begins, the craters from a long ago war, the idea that there were some things that could not be healed and that, sometimes, the only peace that could be given was sweet dreams. The found family Snake accrues in her travels, and the joy of discovery, the hope that remains a core of the story despite all of the darkness that inevitably fills a post-apocalyptic world. The book showed me what fiction could be. In some ways I have always been aspiring to do to others what that book did to me at twelve.

If we are lucky, we lose our heroes to death. Not to controversy, or an unkind word when we needed or wanted their kindness, not to villainy, but to death, which takes us all eventually. So though each of these losses makes the world feel smaller, I am grateful.

Look, if we’re lucky, we’ll leave some small mark in the hearts of those we meet. If we’re very lucky, it will be a mark like Dreamsnake left on my heart.

In less somber news, you can catch me this weekend at Roanoke Author Invasion from 10 am to 2 pm on Saturday. Stop by and tell me about your heroes.

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Staying informed about the writing community

I am not a perfect author, and I have a lot to learn and a lot of benchmarks I haven’t met. That said, one of the things I have become fairly good at over the past few years is self-education and staying informed about resources for writers. Part of this, I’ll confess, is because I spend a lot of time on writing Twitter, which is the place to be if you want to learn about the writing community and new opportunities arising therein. Part of this is just because I have spent six years of my life trying to learn about what it takes to be a successful author and a good writer (not the same thing) which is a lot of years. Something is probably going to rub off in all that time.

With that in mind, I wanted to share with you some Twitter accounts, websites, and generally informative paraphernalia for the writing-inclined. These links are mostly targeted towards fantasy and science fiction writers.

Websites

If you want to be a writer of science fiction and fantasy, your first stop should probably be at Science Fiction Writers of America. It maybe should be a continual stop, actually. Bookmark this website is what I’m saying.

SFWA provides various resources for writers, both members and non-members. Membership is only possible once you’ve achieved certain benchmarks in your career, but SFWA understands that a lot of prospective writers won’t even get there without a roadmap. They maintain a Resources page that offers a high level overview of some of the information available on their site, and they also have a really great thing going on over at Writer Beware, which provides some information about predatory businesses and practices seeking to target writers.

Another great source of warnings for writers is the Absolute Write Water Cooler. Take comments on these forums with a grain of salt and do further research, but this is a good place to look for hints that all is not as it should be with a particular agent or publishing house.

But how do you even get to the point where you are worried about whether your agent is on the up and up? You have to query, of course. For one of the best resources on querying and tips and tricks, try QueryShark. Though no longer providing new posts, the QueryShark archives provide valuable critiques of hundreds of queries. Reading examples of good and bad queries is a great way to level up your agent search.

To find agents and editors, you can look several ways. Twitter is an option, and grabbing a Writer’s Market from the store is another. However, if you are looking for a single website that has a lot of information about what agents and editors are looking for, you may want to visit Manuscript Wishlist (MSWL). Please remember to verify the information with a secondary search of the agent or editor or by checking out their website directly.

Helpful Authors

I’ve mentioned I spend a lot of time on Twitter, but it’s not only to build my platform. It’s also to learn. There are some great, helpful accounts on Twitter, specifically other authors who are offering a lot of advice for free.

First of all, Chuck Wendig has made a name for himself for his off-color writing advice. He’s got several books out if that’s more your speed, but you can find a lot of that information in the archives of Terribleminds, his personal website and blog. His advice is mostly geared towards the craft of writing itself.

On Twitter itself, one of my favorite authors to follow is Delilah S. Dawson. She does periodic posts geared towards new and upcoming writers about the traditional publishing process. They provide helpful insight into her process and the way she has managed to get where she is.

Author Kameron Hurley tweets a lot about various parts of her writing career, but especially about work-life balance or the lack thereof. She also talks a lot about money. This is a really important bit of advice for writers that often gets overlooked. The Authors Guild recently published this survey of income for authors and writers at all levels, which shows that it can be really hard to make it as a writer even once you get published. Hurley is very open about her monetary issues and what she makes off of her writing, and it’s helped me to have realistic expectations and strategies for my longterm career.

Self-Publishing

There are several resources out there for self-published authors, and that deserves a whole other post. But one place you can start is the 20Booksto50k Group on Facebook. Be sure the read the FAQs before you ask any questions!

I hope these resources have been helpful for you. If there’s something you think is missing, chime in in the comments!

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Best of 2018 – Novels and novellas

It’s so hard to pick my favorite books. 

I mean, you read so many, right? Or, well, I read so many. If there were a monster that could only fill the deep gullet of its belly with words, then I would be that monster. I read a LOT. It’s like breathing.

So every year I try to keep a list of the books that make me smile or laugh out loud or weep uncontrollably and every year I doubtless fail. I know there are things that I will miss, books I really loved but that I can’t quite bring myself to put on my best of list and books that touched me despite not being my favorite and really, who am I kidding? I love all the books, unless I don’t. I’m not really a halfway kind of person when it comes to the written word, and so when I read a book I either love it or, more rarely, hate it. If it makes me feel sort of meh, I don’t finish.

Anyway, the point is that these books are happy, good, glowing things that are worth your time. There’s probably something on this list for everyone and if there is something you’ve read and liked and you want to know about stories like it, I can probably point you in the right direction. It’s a talent of mine.

Without further ado, my 2018 list for novels and novellas: 

In Other Lands

Urban Fantasy, Portal Story, Coming of Age, LGBTQ. This book has a lot going on. The pacing is good for the scope of the time that is taken up in this novel. It’s also a standalone, so don’t worry about getting into this and having to commit to some long series. Everything you need is contained within its cover from the beginning. 

I read this book early in the year and it read, for me, like a balm. It’s the story of a boy who is used to not being loved, and all the problems that he makes for himself because of that habit. And it’s the story of his friends, who stand by him despite his best efforts, and of the magical world they call home.  I hope you read it and love it and feel comfort.

The City of Lost Fortunes

I’ve mentioned this book before, but since it technically came out this year I need to mention it again. I met Bryan Camp at WFC in November of 2017, devoured his book, can’t wait for more. Also he’s a cool guy. This book is set in New Orleans, but unlike most of the similar books mining such a rich setting, The City of Lost Fortunes feels real and lived in. That’s probably because Bryan is a native, and a native with good attention to detail and a love for the city he calls home in all of its chaotic glory. Urban Fantasy.

The Stone in the Skull

Epic Fantasy. This book takes place in the same secondary world that Bear previously created for The Range of Ghosts. Because of that, it is easy to see just how far she has come as a writer. Range of Ghosts and the ensuing novels are solid, well-written, and inventive. The prose in The Stone in the Skull, however, practically leaps of the page. It nonetheless loses none of the excellent elements of the original world, expanding on them in ways that feel natural.

Some of my favorite books in secondary world fantasy have been written by this author. Her skill in research in writing is something I aspire towards. Also she’s a gem and she liked my dress at Futurescapes. It is one of the highlights of my life. So I hope you will read this book and enjoy it as much as I did.

Iron and Magic

You may remember a few years back when I discovered Ilona Andrews. This husband and wife team write the most excellent romance and magical action. This year I have read several of their works, since I’ve been in the mood for romance recently, but since I do love the world of Magic Shifts I decided to recommend this one. It is the start of a trilogy that can be read alone, but I wouldn’t waste the chance to read the recently completed Kate Daniels series, of which this story-line is a spin off. Romance, Urban Fantasy, Post-Apocalyptic.

Glory’s Teeth

This is the only novella that made my list this year. I did read a few, mind, and there were some exceptional ones. But there is only so much space on this list and I’m kind of pushing it as it is with seven titles instead of my usual five or so. Luckily, you can read Glory’s Teeth as a standalone, though the author has other works in this world if you can’t get enough.

This book was an unexpected find. I actually saw the author post about it through someone else I follow on Twitter, proving that, occasionally, social media does sell books. The story made me absolutely sob. It’s about a girl who also happens to be a wolf destined to consume the world, the torment of feeling empty and alone, and the hunger to be alive. And it is so very, very delicious.  Urban Fantasy, Norse Mythology.

Trail of Lightning

Gritty, inventive, excellent – these are all words one might use to describe Rebecca Roanhorse’s debut release. And it is definitely gritty. The gore in this book is not to be underestimated. Nor is the refreshing approach to the world. Roanhorse uses her own Native heritage as inspiration in creating a dynamic, grungy world where myths come alive, and not always for the better. While it’s not necessarily a hopeful book, it is a solidly vengeful one, and it sets up nicely for future sequels. Action, Urban Fantasy, Post-Apocalyptic.

Space Opera

Last but definitely not least, for those of you who haven’t heard of this wonderful book, we have Space Opera. Ambitious it may be, but this book sticks the landing, as Valente is wont to do. In a story reminiscent of Hitchhiker’s Guide but definitely it’s own, with aliens and absurdity and tongue-twisting prose, Valente takes us on a journey that seems to be about what makes good music but is actually about what makes someone human. Above all, this is a hopeful read. It’s the story you didn’t know you needed in 2018, the longest and shortest year on record, and I have it last so that you will remember it best. Science Fiction, Weird, Eurovision.

I hope you enjoy these reads, folks! Don’t forget to let me know if you’ve read one of these, I’d love to hear how you liked it.

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The Lady Astronaut and an expert class in writing

Friends, I have just finished The Calculating Stars, and it blew me away. I would compare this book most closely in voice and style to A Natural History of Dragons, but with a depth of urgency that, for all my love of Brennan’s work, exceeds that series. Buckle up, my friends. This is going to be a long ride.

[Spoilers for The Lady Astronaut of Mars and for The Calculating Stars]

Continue reading “The Lady Astronaut and an expert class in writing” →

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Best of 2017

At last, the moment you’ve all been waiting for! Here’s my holiday gift to you, and I hope you enjoy! This post is going live for those still looking for last-minute gifts (like me), and there will be no post this Friday in honor of the holiday. Sorry for shaking things up on you folks, but I thought you’d prefer getting this sooner than later.

I read a lot of books in 2017, though perhaps not as many as I would have preferred. My TBR continues to grow much faster than I can strike things off. But nevertheless, I persist in climbing this mountain! Happily, it’s quite enjoyable.

2017 saw a lot of amazing fiction, honestly, no doubt spurred in part by everyone being pissed off and defiant. I loved some of those pieces, but I also got the chance to discover some preciously clever examples of characters subverting hegemony through self-care and care of others, and those stories were honestly some of the most raw and wonderful. So, as always, we’ll do these grouped by form. I’ll pick five of my favorite short stories, a handful of novellas, and five novels (if I can narrow it down that much).

Without further ado:

Short Stories

With Cardamom I’ll Bind Their Lips by Beth Cato

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Beth Cato is an author I’m just now coming around to following, and I look forward to seeing more of her work. I really enjoyed this story, which is on the slightly darker end set in post-war Britain or something very like it.img_3988

Three May Keep a Secret by Carlie St. George

This story has major content warnings, so please be advised. That said, it’s a powerful story about bringing darkness into the light and how our secrets can be deadly, cemented by a lovely, mostly platonic relationship between the two main characters.

The Earth and Everything Under by K.M. Ferebee

This story was a haunting tale about grief and healing and the nature of death. It also spoke to me about how an entire community can turn on you, but you are forced to live with them. I have complicated feelings about this story, which are the best kind.

Sun, Moon, Dust by Ursula Vernon

Sliding in here at the end of the year is this precious gem of a story that makes me believe in humankind. Honestly everything Ursula Vernon writes makes me feel better. She’s been a huge balm for my soul this year, and inspired me thoroughly as a writer. She also writes as T. Kingfisher, who you’ll see later on this list, and if you want more of her writing I recommend the entirety of Jackalope Wives and Other Stories without reservation.

A Recipe for Magic by Kat Howard and Fran Wilde

This story is another balm to my heart. I am super into kitchen witches and gardeners and anything else bringing magic and power to things domestic and full of love. Please check it out and try not to tear up (happy tears, I promise). It’s up on B&N’s website as part of their new push to publish original fiction.img_3990

 

Honorable mentions to Loneliness Is in Your Blood, The Oiran’s Song, and If We Live to Be Giants. They were all hella good.

Novellas

The Lamb Will Slaughter the Lion by Margaret Killjoy

I loved this novella mostly because it felt so real to me. I knew the people that Killjoy described in a way that a lot of characters don’t exactly strike me as real. It’s an urban fantasy, or more appropriately a contemporary fantasy, and it’s an unexpected and delicious story.

Dusk or Dawn or Dark or Day by Seanan McGuire

McGuire had several novellas come out this year, and a few books, too. She is super prolific. I picked this one for the list because it was one of my favorites, and also because it’s a great place to start with her work, encapsulating a lot of her reoccurring themes in a standalone text.

Also I have to point out that I read this novella around the same time that I read “You’ll Surely Drown Here if You Stay” by Alyssa Wong, and if you put those two titles together they make a refrain to what could be a bitterly beautiful poem.

All Systems Red by Martha Wells

You all know I love Martha Wells, or at least you do if you’ve been reading this blog any length of time. This novella has taken the sff world by storm for its inventive approach to an alien consciousness that nonetheless remains lovable. It was actually a little short for me – I felt like I would have become more emotionally invested given more time in Murderbot’s head – but good news! There are two more planned installments in The Murderbot Diaries to look forward to next year.

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Novels

Full Fathom Five by Max Gladstone

I read the entire Craft Sequence this year, and I cannot recommend it enough. Technically, the book that was published in 2017 is The Ruin of Angels, which is my second favorite book in this series, bumping off Three Parts Dead to take that honor (barely). My favorite, though, is Full Fathom Five. All of Gladstone’s books explore earth-shaking themes with inventive, masterful language and world-building. (What if magic was real and also managed by a bunch of capitalists, for example. Also: what if the stories we told ourselves became sentient?) I recommend these books to everyone I come across. You can read them in order of publication or chronologically (I did order of publication) but just go read them.

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The Stone Sky by N.K. Jemisin

Wrapping up The Broken Earth Trilogy is The Stone Sky, a book that lived up to the promise of the series. I can’t say it was uplifting, but it was satisfying.

Wake of Vultures by Lila Bowen

I wrote about this book a few weeks ago, and it remains one of my favorites I’ve read this year. I’m very much into American West reimaginings that feature women and people of color. I even did a whole blogpost about this subgenre, which you can check out here. Anyway, check out this book, it’s worth it, and can be read as a standalone or as the first in what I believe is a trilogy.

Exit, Pursued by a Bear by E.K. Johnston

This book is the only non-speculative fiction title on this list. It’s also the only YA title, I think. It explores similar themes to “Three May Keep a Secret,” mentioned above, so content warnings are necessary. However, this book, too, is about healing, and it was a powerful read for me during this long year when it has seemed like so much darkness has been in the world.

Bryony and Roses by T. Kingfisher

Surprising no one, another one of T. Kingfisher’s fairytale reimaginings has made my list this year. You will recall “Sun, Moon, Dust” by Ursula Vernon, above. They happen to be the same person, and all of her stories are amazing. This one tackles Beauty and the Beast, and it’s one of my favorite retellings of that particular tale yet.

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Serials

This isn’t exactly its own category, as I have only one work to mention here. Serial productions seem to be on the up and up at the moment, and I wanted to note one that I think will go a long way towards revolutionizing the genre. Steal the Stars has been a remarkable listen, and it has taught me a lot about what can be done with a serial story. You should check it out.

Essay

The Shape of Darkness as it Overtakes Us by Dimas Ilaw

Essay is not a category I usually include and probably won’t make it in future best-of lists, but I felt like 2017 has been an exceptional year and so we had to make an exception. If you have felt at all hopeless and overwhelmed, I can’t say that this essay will make you feel better. But it will definitely help you to process, I think, just as the author is processing their own grief. And it will help you to step forward, too.

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Depictions of AI

Hey, friends. This weekend is Roanoke Author Invasion! I’m bringing a bunch of books and oddments, so I hope to see you there! I promise to take more pictures this time and post them for you next week, but until then please enjoy this discussion of robots and artificial intelligence.

A few weeks ago I finished Lightless  by C.A. Higgins. It was a masterful book that depended uniquely on interpersonal conflict. Yes, there were explosive moments, but most of the tension was constructed through dialogue and interactions between characters. I definitely recommend this book if you’re interested in reading a good example of solid character-driven plot. I don’t want to spoil anything for you if you haven’t read this book, so my recommendation would be to go read it and come back at this point. We also might see spoilers for a few other books and movies going forward, specifically Ian McDonald’s River of Gods, but I will warn you ahead of time.

Still here? Good.

lightless

One of the characters in Lightless was actually a computer. Ananke was originally not sentient, but gains sentience over the course of the book due to some unfortunate or fortunate events. The depiction of Ananke and her decision-making processes was probably my favorite part of this story. Althea, whom she views as something like her mother, grows to simultaneously love, fear, and hate Ananke – understandable when you essentially have a five year-old-who is devoted to you but has the power to asphyxiate you if you piss her off. I always find meditations on the psychology of an artificial intelligence interesting and I wanted to compare and contrast some other, very differing examples of AI from some recent stories I’ve come across.

One of the oldest versions of an AI story that I’ve found is that of the German silent film Metropolis. You may remember me mentioning this movie in my post on Feminine horror and Ex Machina. In that post I focused more on feminist critique, but we’re going to sidestep the gender issue for a minute (I know, shocking) and just look at the construction of an artificial intelligence in the context of the plot for this movie. The AI in Metropolis is clearly a servant of the devil, possibly being the embodiment of that spirit. Its goal is, simply, to destroy mankind and the works that he has built (“he” being used here because, in the world of Metropolis, there don’t seem to be a lot of women building things – product of its time I suppose). Thus, we see an early depiction of AI as something unnatural and to be feared.

In a more recent iteration of AI, we can look at Ex Machina. Again, see my feminist critique of this movie above. In this iteration of an AI, we see something that is still alien and inhuman. It is not necessarily an ethical creation either. Yet there is some attempt to give this AI reasonable motives for harming others – specifically self-preservation. That said, AI are still not presented as equal to human beings per se, or rather, both humans and AI are evil and twisted in different ways. It remains a pretty dark view of AI, if more nuanced.

Yet a third example of AI can be found in River of Gods by Ian McDonald. (SPOILERS)

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In this story, there are various types of artificial intelligence that have evolved from computer programs. They do not need bodies, since they can download and replicate their programming infinitely in the world of data. The one AI that does seek to grasp at humanity or something like it does so in order to better understand humankind. I’ll leave her unnamed in order to hopefully shield you from being too keyed to what happens in the book. (Spoilers, spoilers, spoilers, look away now.) This AI is brutally murdered, at last understanding the desperation of humanity all too well. She is represented as nearly saintly, sacrificing herself for the good of her kind and humanity. I have to be honest, this book made me enraged – not so much at our decisions as human beings, but at the rules that entrap our corporal selves. In this case, AI is imagined as an evolution towards something more inherently free and everlasting than humanity. It’s a stark contrast against the demonic robot of Metropolis and the very impermanent Ava.

I would argue that Ananke from Lightless most closely resembles Ava as something that is alien and makes decisions with a logic that is not human. Ananke, however, has managed to include emotions that are not logical in her personality – anger comes to mind. Love, or something like it, is another emotion that she consistently expresses. She is a somewhat unique take on AI in that the implication is that those emotions, such as they are, are real in her. Her development is presented almost as that of a child. In that respect, she may more closely resemble the AI in River of Gods who goes among humans. I particularly like this representation, as it seems very believable to me. It makes sense that an AI would take time to come into itself, and that it might want to model itself off of the other beings around it – specifically, people.

There are numerous other depictions of AI in all different stripes out there, and it is always fascinating to see a new take. Do you have a favorite?

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My writing process: novels vs short stories

A lot of people have different ways they tackle writing, and I suppose there are a lot of places where best practices kind of deviate. Given that, I wanted to take a minute today to talk about my writing process.

I am not a pantser. For those unfamiliar, a pantser is someone who flies by the seat of their pants. I will not go into a story without and ending in mind – mostly because I can guarantee if I do so that I will not have an ending to my story. It won’t ever get finished. This doesn’t mean that I don’t improvise, because I do, and it doesn’t mean that I know everything that’s going to happen before it does, because I don’t. My characters can still surprise me, and do. It just means I need a target to be aiming for.

What this often means in novels is that I know the ending to the book, but I may not know the middle. Most of my rewrites in novels, which can be extensive, revolve around the meat of the story. While there are exceptions, for books I focus on adding scenes and otherwise filling in gaps that affect the world-building and character development going on around the main plot points in my re-writes.

For short stories I can say that it is a little different. My short stories often spring full-formed from the page. The edits that are made are usually semantic edits – changing the wording of descriptions and actions so that they come through more clearly. Very occasionally, I will adjust a paragraph to add some missing information that will help the reader connect to the character in question. In fact, my short stories either come through with almost no edits, or don’t come through at all and must be completely rewritten, with only a couple of elements surviving – maybe the setting, or a character, or even only a paragraph that I particularly liked. It’s a very different process from my novels.

I think this comes from the fact that, for short stories, it is a lot easier to hold the whole thing in my head. A novel has too many moving parts, and so I will use outlines and charts to try to keep things straight. A curve ball can destroy this architecture, requiring weeks of reworking outlines before I can start moving forward again. By the end of the novel, I’ve changed the plot points and reorganized them several times, and so the rewriting involves dragging my characters to where they need to be for it all to make sense. But for a short story, the whole of it pops into my head pretty early and stays there. Reworking the plot isn’t necessary, and so the character takes her time revealing herself, and I’m free to focus on the craft of the sentences, the tone of her voice, on perfecting the language itself.

Either task is daunting and fun and rewarding. I am so excited to share more stories with you.

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Launch

Hello everyone!

This is the first post of the blog I will be keeping on my official author website! I cannot promise that posts will be the most regular (I also post on Tumblr, Twitter, and Facebook, so for more regular information please check those out). However, I hope to document major events in the writing process. Subscribe to keep in the loop with current projects, new reviews, and other fun information about my books.

I first published in February 2013, so this website is a long time coming. Following the publishing of my initial standalone novel, Child of Brii, I enrolled in a graduate school program. This put a bit of a damper in my productivity. My second book, Mother of Creation, came out during this two year program. You can find out about both books here. They are available on Amazon, B&N, and Smashwords, and you can also read Part I of Child of Brii on Wattpad.

The website itself is likely to go through some changes in the next few months. As a preliminary design I feel good about it, but I would like to personalize some aspects of it more. Don’t be surprised if you come back to a face-lift of the site sometime this winter! I’m looking forward to having a more concrete home for my material on the internet.

Until the next post!

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