Escaping the Matrix: On “Nanette”

I spend a lot of time referring to movies and analyzing them in part because they are so accessible. Movies take a much shorter amount of time to consume than books or television shows, and often are more widely viewed. And in the science fiction community, there are few movies more widely viewed than The Matrix.

But the story of the Matrix is a story of speaking truth to power, and it’s a sort of insidious one. The morals of the first movie are very different from the morals of the series when taken as a whole. Most people are only familiar with the first of the films, but very few stuck through the mess that was the second film to find out the ending. Despite this it is, arguably, one of the greatest metaphors for systems of hegemony in our world that exists.

I began to compose this blogpost in my head after watching Nanette late one weeknight. The Netflix original begins as a comedy routine and becomes something more. It is a clear example of speaking truth to power, of the raw perseverance and loss that such a path requires. Hannah Gadsby thoroughly examines the illusion of choice in one memorable moment in this show, when she says: “There’s only been two options for a little girl to grow up into, a virgin or a whore. We’re always given a choice.”

nanette.jpg

At what point does a choice within a system that allows only two outcomes cease to become a choice?

In the Matrix, Neo is given two options. The blue pill allows him to live compliantly in the system set up to contain him. The red pill, however, requires awareness, requires the loss of safety for freedom.

(If I speak nicely, if I am quiet and soft and sweet, then I can stay safely in this role that society has created for me and never need question. But if I become aware, if I speak out, if I take up space, if I am myself, I give up my safety.)

The safety of the blue pill is an illusion. We know that, in the Matrix, the blue pill means that our bodies are being farmed for energy, for meat, for whatever our overlords require. The things that ruin us happen at a whim, and it’s not ours. We have no control over them.

But there is no safety in freedom, either. Less of it. Now the machines target you. Now they fight against you. We know, because the Matrix tells us, that we are a danger to the system. Our existence, once we have swallowed this red pill, becomes a threat. That’s a good thing, though, right? If we are a threat, we can change, we can resist.

The reason the Matrix is so insidious as a narrative, however, is that if you watch that third movie, there was never any hope at all.

Look, I know what you’re thinking. Neo was nearly all-powerful in the first movie. How could he lose? But he does, he loses everything. He was a product of the Matrix all along. All of the red pill society is wiped out, to start again at some predetermined time, when the Matrix decides it needs to release the pressure of those rebellious members of its population. The Chosen One was an illusion. He could never lead those like him to a new life. The only path for those taking the red pill was to die.

There is a disturbing trend, amongst holders of power, to point to freedom and say that it looks a certain way. There have been many writers who discussed the nature of power and the many flavors it can take, but there is only one narrative where certain kinds of power are concerned. Absolutist systems construct choice on their terms. The dichotomy is a loaded one. As in the Matrix, there is no safety in it even when you are being told otherwise.

In Nanette, we learn the truth of that choice for those who cannot fit into either option is violence, but if you’ve been paying attention you should realize that the truth of that choice is always violence, no matter who you are. Whether it’s the violence against the “pure” woman who submits entirely to her partner, who is quiet and demure and voiceless even if he beats her, or the violence of the “sullied” woman whose rape and abuse are justified by her choices, the choice is merely how you want to negotiate your own subjugation. Whether it’s the option of living life as a withered shell addicted to dreams of possibility or as a starving, dirty refugee in the bowels of the world, your options aren’t glorious. As long as the Matrix exists, you have to live with its power over you.

And that’s a lie.

Oh it may be true for individuals. It may be true for Neo. But one day, the Matrix crumbles. One day, the machines fail. It may not be forever. It may not be soon. But all things end. As Ursula Le Guin said so memorably:

Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.

Those who hold power would like for you to believe that there are only two options: to submit, and to be ostracized. But we can change the options on the table. Indeed, change is the only constant. Until you believe that, there is no hope.

Once you believe that, there is no chance of failure.


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